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The makers of Penelope used Camera to Cloud in Frame.io during off-the-grid shoots and Productions in Premiere Pro to cut their story with a remote team — find out how.
From skate culture to social sites of the era, find out how writer/director Sean Wang and the editors used Adobe Premiere Pro and Creative Cloud to create the film Dìdi (弟弟).
Thelma follows a scammed senior citizen's quest for justice. See how writer, director, and editor Josh Margolin used Adobe Premiere Pro to crank up the action and riff on classic rogue agent tropes.
The editors used Adobe Premiere Pro to weave decades of rock ’n’ roll history with the help of Text-Based Editing and reveal a lesser-known side of the iconic band — see how they did it.
Find out how director and editor Carla Gutiérrez and team brought the diaries, letters, and essays of Frida Kahlo to life — sharing a hidden side of the radical artist.
Find out how the editors of FX’s The Bear use Premiere Pro to unveil the energy of a crowded kitchen, the emotion of family drama, and the grief that informs every frame of the Emmy®-nominated show.
See how award-winning editor Kirk Baxter and his team used Premiere Pro to break the rules of traditional editing in The Killer, a neo-noir thriller directed by David Fincher.
See how editor Paul Rogers and directors, the Daniels, used Adobe Premiere Pro, Adobe After Effects, and Frame.io to create the film’s iconic audit scene.
Discover how the editors of Missing used Premiere Pro and Adobe After Effects to create a thriller told entirely through phone and computer screens.
See how the editors of Somebody I Used to Know used Premiere Pro and After Effects to defy rom-com cliches — bringing a uniquely grounded angle to the genre.
Take to the skies with the director and editors of Devotion to see how they used Premiere Pro, After Effects, and Frame.io to tell the story of the U.S. Navy’s first Black aviator.
Go backstage with the artists and discover why more Sundance filmmakers use Premiere Pro than any other editing solution.
"Every movie or TV show I’ve cut has been in Premiere,” says editor Joanna Naugle. So when it came time to edit the critically acclaimed show Ramy, she used Premiere Pro to help bridge the fine line between comedy and drama.
When director Tim Miller envisioned the new Terminator: Dark Fate movie, he knew Adobe video tools were up to the task. Check out interviews with his team to find out why.
Mass Appeal turned to Premiere Pro to collaboratively edit the new SHOWTIME® docuseries Wu-Tang Clan: Of Mics and Men. See how they showcased this legendary group’s path from struggle to stardom.
The team behind Unbanned: The Legend of AJ1, used Premiere Pro, After Effects, and Photoshop to get the story of the iconic Air Jordans off the ground.
Veteran editor Lisa Churgin switched to Premiere Pro to cut this film, and post-production came off without a hitch.
Use the same video tools the pros do to edit, add effects and graphics, mix sound, and more.
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Get 20+ Creative Cloud apps, including Premiere Pro.
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Get Premiere Pro and 20+ Creative Cloud apps, plus features to easily manage licenses, simplify billing, and more.