Photography
Learn what focal length does and how to use it.
Always pick the right lens for the job by understanding focal length and how it can inform your lens selection.
Photography
Always pick the right lens for the job by understanding focal length and how it can inform your lens selection.
It’s possible to take good photos with any kind of equipment. However, the more lenses of varying focal lengths you have, the greater your photographic options will be.
When you understand how focal length works and which focal lengths are best for anything from portraits to landscape photography, you not only gain artistic freedom — you also get the ability to specialise. It’s like athletes choosing specific shoes for their sport: Football players wear grass-gripping cleats, while basketball players need soles that stick to hardwood. Know how to match the focal length of the lens to the angle of view you want (that is, how much your lens can capture) and you’ll always feel well equipped.
When you use a camera lens with a short focal length, such as 18 mm, your resulting photo has a wider angle of view. Lenses with longer focal lengths, such as 200 mm, give you narrower angles of view.
The focal length of a lens is the optical distance (usually measured in mm) from the point where the light meets inside the lens to the camera’s sensor.
To best capture a specific subject, whether it’s far away or up close, you need to determine the focal length. You can do this with a simple formula, but first you need to know the estimated distance from you to your subject and from your lens to your camera sensor.
You also need to understand if your lens is concave or convex to determine focal length. A convex lens (also known as a converging lens) and a concave lens (also called a diverging lens) focus light at different points. This information will change your focal length calculation. An online focal length calculator can help you to make these calculations.
You can also determine focal length by measuring the distance at which a lens focuses on a distant source (or by using a tool called an optical bench). But, in practice, an understanding of how focal length and aperture work together, combined with the type of photography you want to capture, will guide you in focal length-based decisions. It’s all about combining knowledge of your tools with trial, error and experience.
That’s the technical end. Next comes the practical and the practice.
There are many lenses geared toward specific looks and uses, from the telephoto lenses to the super-wide fisheye. It’s good to have a variety — the spice of life and photography. But when it comes to honing your knowledge and your skill within a specific focal length, the prime lens is your best training ground.
Prime lenses have a fixed focal length lens. That means you’re locked into shooting at a single focal length — no zooming and no magnification.
“If you want to get into photography professionally, I would suggest picking a prime focal length that you like, that you’re comfortable with, and shooting with just that for a while,” Boyd suggests. “Learn to be creative with one focal length, because it’ll make you think about using your camera. It’ll make you think about your settings more. It’ll make you take more time — it slows you down. It’s very tempting to just zoom when you have a zoom lens. But when you have a prime lens, you have to move.”
“Learn to be creative with one focal length, because it’ll make you think about using your camera. It’ll make you think about your settings more. It’ll make you take more time.”
Getting out into the street or wherever your curiosity takes you and dedicating time to consistent practice with a single focal length can be an important step in beginning to understand your eye as a photographer.
“The types of lenses and focal lengths that you choose are really going to help portray your style,” says wedding photographer Kilen Murphy. “They will influence how you like to shoot and the way things look.”
When your style begins to develop, it’s time for a change in perspective. Experimenting with different focal lengths can be an enlightening process that further defines your style. It’s also especially important to understand the benefits of different focal lengths if your goal is to build a Batman-like utility belt of lenses for more complex shoots.
Photographing a live event is a great way to understand how focal length affects your shots. You’ll be moving around the event, looking for that perfect angle and sometimes you’ll need to change focal lengths to make the most of the opportunities.
“You have to know what you’re trying to shoot and which lens is going to facilitate that,” author, designer and photographer Khara Plicanic explains. “You’re trying to predict where your subject is going or what’s happening next. And you want to be a few steps ahead in your mind, so that you don’t get caught in a bad location when something is happening.”
It’s moments like these that will have you turning to that superhero utility belt. Bring your backup lenses with you.
When shooting weddings, Plicanic carries a trio of lenses: a 50 mm, a 16-35 mm and a 70-200 mm. Different events and different shoots have varying requirements and as with a caddy selecting the right golf club to land that next shot on the green, your ability to understand focal length will set you up for success when chasing that perfect photo.
Remember that long focal lengths bring distant subjects closer and short ones give you a wider angle of a scene. Here is a guide to focal lengths that lend themselves to different types of photography.
Long focal length:
Short focal length:
There are many other speciality lenses, like tilt-shift and macro lenses and even zoom lenses that allow for multiple focal lengths, but this list is a good place to start building out your photo shoot kit.
With this technical know-how in your back pocket, you can now explore which lenses might be useful for you. After that, it’s all about putting the knowledge to work. What does wedding photographer Anna Goellner recommend to help with that? “Experimenting, experimenting, experimenting.” The world is your lab. Get out and run those experiments.
Contributors
Shawn Ingersoll, Derek Boyd, Kilen Murphy, Khara Plicanic, Anna Goellner