How to draw caricatures.

Find what’s unique.

Look at each individual facial feature. Maybe your subject has a very short nose. You could play that up in the drawing. It’s important to represent the spacing of their features too. “Essentially we’re talking about proportions,” explains illustrator and comic artist Jonathan Case. “Everybody’s got slightly different proportions.” Always go beyond facial features to the uniqueness of your subject’s body as well. If they often shrug their shoulders, show that.

Be bold.

Try vibrant colours or bold lines. If you’re making a piece for someone else, go above and beyond what they asked for. “I had a friend ask if I would draw her and her partner as a puppet and a marionette,” says Bigoni. “And I said ‘OK, but what if I also drew the real versions of you operating the puppets?’”

Know your audience.

Great caricatures are silly and personable. But be wary of disrespecting someone or hurting their feelings. “You have to be careful of how you walk that line of exaggeration,” says illustrator and drawing instructor Lucas Elliott. “When you exaggerate a characteristic of a person, it might be something they’re sensitive about.”

Mastering the elements of the face.

Drawing cartoon faces is definitely an important step in exploring how to draw a caricature. Eyes, noses and mouths are prime areas in which to show character. However, when drawing faces, proportion and spacing are just as important as the individual qualities of each feature. Start by mapping out your face with lines and simple shapes for where the eyes, nose and mouth will go. Unique head shapes should also be addressed. 

Tips for sketching noses.

Noses are your playground when it comes to exaggerating a human face. “I usually start with the nose,” says Bigoni. “I’ll first figure out the shape of the face — a loose pencil outline of what’s going where — then start with the nose, because everything is proportionate from there.” Try practising nose drawing techniques before getting cartoonish with it.

Tips for animating eyes.

Once you practise different ways to draw eyes , see how you can vary them to distinguish your drawing. “Think about anything else in the drawing that your character might be reacting to,” says Bigoni. “That comes through in the eyes more than any other feature.” Caricature leaves plenty of room to play with where the eyes are aimed as well as the shapes of the eye, eyelashes and eyebrows.

Tips for drawing mouths.

Think about the shape of the person’s lips as well as how they hold their mouths. Are they shouting? Are they pursing their lips? Are they smiling? The mouth can be almost as expressive as the eyes. “Expressions are important,“ Bigoni explains. “Especially an expression that says something about who they are or how they react to things.”

Proportion is everything.

If the resemblance is lacklustre after you’ve drawn all your facial features, the spacing and proportion may be off. “I find more of my erasing and rearranging has to do with the spatial feel of someone’s face, as opposed to the shapes of any features,” says Bigoni. Drawing in a digital application like Adobe Fresco can help. Try drawing each feature on a separate layer, so you can resize and rearrange them until it looks right.

Capturing personality in bodies and props.

Don’t stop at the face. Adding physicality and props to your drawing are two essential ingredients for making a memorable caricature. 

Bodies are as unique as faces.

Physicality is important in caricaturing. Showing what’s unique about a person’s body or how they hold themselves goes a long way. Bigoni once did a caricature of a couple for their wedding invitation where they were depicted as — literally — skeletons. “That piece meant a lot to me, because the woman in the picture said, ‘It’s just my skeleton but it still looks like me!’” See how you can illustrate a movement or an action your subject is likely to engage in. And win bonus points for tattoos. “People are really thrilled if you get their tattoos correct,” says Bigoni.

Add individualism through props.

Think about who your subject is to discover what background or props might help the drawing come alive. Illustrate what you think the person might be doing, eating, drinking or reading. Draw clothes you can see that person actually wearing. “Don’t just ask what they wear, but how they wear it,” says Bigoni. “Another thing I always try to do is add any pets that person has. I’ve even had people say, ‘My cat died, but can you add him in with a halo and wings?’”

Developing a personal style.

Although live caricatures are common at events and require speed in execution, the best method for developing your talent is taking your time. Don’t fret if you need to go slowly. Start again if a piece isn’t coming easily. “Sometimes I’ll have to erase because I did something that was too much. Sometimes I erase because I did too little. Figure out what balance best represents the person and don’t be afraid of trying it over and over,” says Bigoni.

Practice with celebrities.

Get started by drawing famous people from your favourite media or sports teams. It helps that you’ll likely be familiar with them and their mannerisms, plus there’s a bountiful supply of reference photos of celebrities available online.

Start a digital sketchbook.

Try opening Adobe Fresco or Adobe Photoshop and sketching various elements of a caricature on different layers. This way you can experiment with different features and props without wasting a single piece of paper.

Helpful tutorials on Adobe Fresco.

Before jumping in, learn the basics of drawing with Adobe Fresco and how to create your first digital illustration. Then, see if you can follow along in creating a comic-style portrait to learn new colour and texture techniques.