MAX Sneaks

[Narrator] Please welcome your host for Sneaks, Kelsey Slay. [Music] [Kelsey Slay] Thank you. [Music] [Kelsey Slay] Well, hello, hello, everyone, and welcome to Adobe MAX Sneaks 2024. How is everyone doing tonight? Yes, that's what I love to hear. My name is Kelsey Slay, and yes, my last name really is Slay.

Just putting out there. And what's funny is, is I get asked more about my last name than I do about Photoshop, as someone who works at Adobe. This is actually my very first time hosting Sneaks.

Oh my God, I love you guys already, and now you're all cheering for me. I'm so honored to be here, I mean, I'm a little nervous. My boss is in the crowd watching me right now, so no pressure. Now it's my first time hosting Sneaks. But I want to know through applause who here is also new to Sneaks? Wow. Well, we got a lot of new people in the crowd, I love it. Who here has been to Sneaks before? Okay. We got some returning people, so great. Whether you have been here before or this is your first time, let's talk about why we're here and what we're doing tonight. Tonight we are celebrating innovation. We are spilling the tea and are giving you a sneak peek into some of the crazy, cool technology that Adobe is working on and experimenting with. Not only that, but our presenters tonight are actually the engineers and designers themselves demoing their new technology. So this is not... Yes, we love them. So these are not professionally trained speakers. And I'm going to keep it real with you guys, they're backstage right now and they're a little nervous. They're used to working more behind the scenes, not on a big stage in front of a huge crowd demoing technology that could potentially break. I mean, what could go wrong? So let's be sure to shower them with so much love. And if you see a demo break or a laptop start smoking at any point, we're going to applause right through and keep those good vibes going. Yes! Yes, let's encourage them in the backstage.

Now another thing that I want to point out is this technology is not guaranteed to launch or become a real product or feature in Adobe app. A lot of this depends on you and your interest. So if you see a Sneak that you absolutely have to have in your workflow, be sure to cheer really loud. We'll have hashtags for all the Sneaks, so post about it on social media so we can gauge that interest. The more interest shown in a Sneak, the more likely it is to become a real thing. Now, an awesome example of this is actually Project Neo. You guys like Project Neo? Yes, I love Project Neo. Project Neo was shown as a Sneak last year, and this year it was shown in the MAX Keynote. And it is a product that you can now play with. This is the beauty and magic of Sneaks. But okay, enough of me yapping, let's get this show on the road. I want to introduce you to my amazing co-host. Please welcome to the stage actress, rapper and comedian Awkwafina. [Music] [Awkwafina] Hi, Kelsey. [Kelsey Slay] What's up, Awkwafina, hello, hello. [Awkwafina] Nice to see you. Hey y'all. [Kelsey Slay] Yes, Awkwafina! [Awkwafina] Wow, yes.

A lot of people here. [Kelsey Slay] Yes, I know, for sure.

How are you feeling tonight? [Awkwafina] I'm feeling very excited, to be honest, yes, I'm excited. I'm a huge fan of Adobe, and I'm ready to hear some Sneaks. [Kelsey Slay] We're ready to hear some Sneaks, I love it. So, I mean, we can talk a lot about you, your Golden Globe, maybe your Emmy, Crazy Rich Asians. [Awkwafina] Yes, that's what we can, and yes. [Kelsey Slay] Or Ocean 8 or Jumanji. [Awkwafina] Yes, Jumanji was fun.

[Kelsey Slay] So much to discuss, I mean you could say I'm going to try not to stay here all night. [Awkwafina] Oh no, no, I'll try not to. It's a nerve-wracking environment I'm not going to lie. But it's going to be good. [Kelsey Slay] It's going to be good. So I do want to ask you a few questions just to get the night started. So first things first. I want to know how you came up with your stage name Awkwafina. [Awkwafina] Oh, boy. I was always a little awkward, as you guys might get a taste of tonight. And, yes, and then it kind of stuck, I guess. [Kelsey Slay] I love it, I love it, yes. And I love hearing the backstory of all those things. I'm always trying to find out everyone's backstories, so I love that. So I do have another question for you, it's a rapid fire. Describe yourself in three words. [Awkwafina] Oh, lord, okay. Fun, friend, fire, I don't know, I have no idea.

[Kelsey Slay] That's what you're getting into tonight, yes, I love it. [Awkwafina] I hope it's good. [Kelsey Slay] Yes, that's what Sneaks is going to be. You just set the tone for Sneaks. [Awkwafina] How would you describe yourself in three words? [Kelsey Slay] Now you're flipping the question on me.

Annoying. [Awkwafina] No, oh my god. [Kelsey Slay] Like very loud. I like to describe myself as a little Gen Z brat, just like slay. [Awkwafina] Oh, yes, which is your last name. [Kelsey Slay] Yes, which is my last name. [Awkwafina] That's cool. [Kelsey Slay] I'm glad you believe me, most people don't. [Awkwafina] Oh, no, I believe you, yes, Slay. [Kelsey Slay] Look at that. Yes, Slay. [Awkwafina] Love that. [Kelsey Slay] We're already becoming best friends up here. [Awkwafina] We are, yes. [Kelsey Slay] So we're going to be talking a lot about technology. So I would really like to know, are you a tech savvy person or someone who uses technology a lot? [Awkwafina] Not insanely. I've dabbled here and there, but I'm really interested in, I think innovation, though, and people's own ideas and creativity, is it? yes, I'm a huge fan of that. [Kelsey Slay] Well, you're in the right spot. You're in the right spot for Sneaks. And also, I'm so excited for you guys to see the Sneaks and for you to see the Sneaks. There's so much, I've been seeing them, they're amazing. So I'm super pumped about tonight. You're going to be seeing innovation. [Awkwafina] I can't wait. I mean, I thought that was real. I thought we were in a Dave & Buster's, that's pretty cool. Yes, I love that, it's very nice. [Kelsey Slay] I love it. Now also, this is both of our first time hosting things together. So we're in this together. [Awkwafina] We are, yes, apparently.

[Kelsey Slay] So let's go ahead and get started with our very... Y'all want to see some Sneaks? [Awkwafina] Yes. Let's go. [Kelsey Slay] Let's get started. Our first Sneak involves solving an annoying problem we all face involving flash and things blocking the camera. Let's give a warm welcome to our first Sneaks presenter Gabriel Huang with Project Clean Machine.

[Gabriel Huang] Thank you. Thank you, guys. Are you guys excited for this? Let's go. So the other day, I spent an entire night trying to capture this beautiful timelapse of the Milky Way. But when I checked the footage, I found some of the frames like this were ruined by flashes. So I went back home, and I opened it up in Photoshop and tried to save my clip. Well, I can use the Lasso Tool for just one spark of flash, and then I can use Content Aware Fill to remove it. But remember, I need to do this for every single spark of flash and for every single frame that contains a flash. This is a really tedious and I'm already getting bored, so I went ahead and invented this new technology introducing Project Clean Machine.

Let me show you how it works first.

First, it will automatically detect all the flashes in the video, and then with just a click, it will remove all of them, leaving you with this clean and smooth shot of the Milky Way. And let's take a closer look at one frame and see how perfectly Project Clean Machine removed all those flashes.

Pretty cool right? But for this case, if you are more patient than me, you can still do this in Photoshop using Content Aware Fill. It's not a big deal, it's just a matter of time. But this is all true for all the cases. Let me show you what I mean.

Let's take a look at this. What a beautiful, stunning moment. And again, some of the frames like this were ruined by flash. And if you take a closer look, the explosion of the firework completely overexposed the frame. And there's no way that you can use Content Aware Fill to fix this. Let's use Project Clean Machine.

First detect and then remove.

All the flashes are gone.

Let's go back to that frame and see. Just look at this.

[Awkwafina] Oh, wow. [Gabriel Huang] Just look at this. And see, Project Clean Machine not only removed the flash, it also recovered all the details in this overexposed area. This is amazing, right? [Awkwafina] Yes.

[Gabriel Huang] For those two cases, since only a few frames were affected, you can probably just drop them, delete them. It wouldn’t end up as a very choppy video. But what if you have a video like this? You see? Nearly half of the frames, all contain flashes and you can't just drop them, otherwise half of the video will be chopped off. So let's use Project Clean Machine. You know the drill, you first detect, and then remove. Just within a few seconds all those flashes are gone.

I have one last example to show you guys. You guys are ready? - [Gabriel Huang] Yes? - [Awkwafina] Yes. [Gabriel Huang] Let's go. So Project Clean Machine is not only limited to removing flashes, it can actually be used for something else. So for this case you see there was a person walking in front of the camera and blocked the view. I can use Product Clean Machine to remove this person. I just need to select all the frames that were affected. And then with just a click and the person is gone. [Awkwafina] Wow.

[Gabriel Huang] I mean, look at this frame. Even though a tiny portion of it was visible, it was able to recover the rest of it.

There you have it. With Project Clean Machine nothing can get in the way of your perfect shot. Thank you. [Kelsey Slay] Love it. [Gabriel Huang] Thank you.

[Kelsey Slay] Absolutely amazing. And so, I mean, Awkwafina, like... [Awkwafina] That was cool. - [Kelsey Slay] Yes, I mean, I... - [Awkwafina] Yes. [Kelsey Slay] Yes, like I don't know. It's just like seeing each frame was insane. [Awkwafina] Yes. [Kelsey Slay] And, you know, I know you're a movie star. You slay the red carpet from time to time. [Awkwafina] From time to time. [Kelsey Slay] Yes, time to time. Could you see this saving the day on the red carpet - [Kelsey Slay] or maybe the movie set? - [Awkwafina] Oh yes. Definitely. And even in personal videos too, yes. I think that this is so cool how it can recover everything. That was really cool to watch. [Kelsey Slay] Yes, I mean every firework. Did you guys like it? Did you guys like it? [Awkwafina] Pretty cool, right? [Kelsey Slay] Yes, it's awesome. What a great first Sneaks. I'm so glad we had that. Do you want to see another one? [Awkwafina] Yes, that was cool, yes. [Kelsey Slay] Let's go to our second one. So where are my Illustrator users in the house? [Awkwafina] Yes.

[Kelsey Slay] Illustrator is my favorite and as a graphic designer myself, I can hardly contain my excitement for this next Sneak. Here is Avneet Kaur with Project Remix A Lot.

[Avneet Kaur] Hello everyone! I'm super excited to present Project Remix A Lot, the new technology that simplifies your design process like never before. Let's get started. Here's a sketch that I made for the costume cocktail party, and I was trying to create a poster out of it. You know the drill, right? Selecting fonts, adjusting layouts. You're doing this all over again. It's like a slow stroll through the land of busy work. What if we could skip all that? I simply select my sketch and hit Sketch to Layout. Hold on for a while, and boom!

[Awkwafina] Oh, what just happened? [Kelsey Slay] Yes. I really want this Sneak. [Kelsey Slay] Yes! [Awkwafina] Wow!

That's good. [Kelsey Slay] Feeling all the love. [Avneet Kaur] In just no time my sketch got converted to this layout. Pretty great start, right? And the best part, it's completely editable.

Let me make some few edits here.

Hold on, I just got the word that the folks backstage are pulling up a stopwatch, so we'll simply skip to the final design that I made with some more edits. And this is how it looks. Spooky enough? But my work does not end here. I also needed it in different sizes for my Instagram post and standing banner, and that means having to redesign it for each new size. Let me just try that.

Only if it was this simple.

But no worries, Project Remix A Lot to our rescue. I have this Layout Variations feature right here and it can remix my design in different standard sizes.

Look at that.

[Awkwafina] That's cool.

[Avneet Kaur] Isn't it just spectacular? Or should I say spooktacular? Well, I really like this one, but I think my standing banner will need a little more height. Let me just quickly grab it here, and simply extend my artboard.

Now let's wait for some magic. In three, two, one. There you go.

So cool, right? And one more for those extra wide screens. Again, very easy. Getting it right here, and simply extending my artboard. And what do you think? Will it be a trick or a treat? It's a treat indeed!

My job is almost done, and I can always refine them later. So now that we have some time left, let's jump on to another project I was working on. I have this draft layout for this circus show event, and I feel like reviving an old design of mine. Let me just dig through my head. Oh, I think I've lost my original file, and this PNG is all I've got. Haven't we all been there? But fret not, watch me pull it out of the hat. I can select my Layout Style reference here and now I'm excited to see how this one shapes up. And Shazam! There it is.

I love how the old carnival vibe has seamlessly transferred into this new poster. And again, completely editable.

So let me make some few adjustments here. The masks look better up here, right? Yes, now it's good to go. Oh, I almost forgot. I also needed to design a ticket for this event. Got to make sure people can actually get in, and I'll quickly grab it here. What do you think, will it work for this ticket shape as well? [Awkwafina] Oh yes. [Avneet Kaur] Let's see for ourselves. I select both and give it a try. Fingers crossed. And there it is.

Thank you. [Kelsey Slay] Wow guys, give it up for Avneet.

That was so... I think you guys really want that Sneak. I mean, the whole demo you were cheering. [Awkwafina] That was cool, man. [Kelsey Slay] That was killer. [Awkwafina] That was cool. [Kelsey Slay] Yes, and honestly as a graphic designer, I mean, at my first design job, literally, I would have clients be like, oh, we want it as a poster. And then all of a sudden, they need it as a flier and then a social media post and it's just.... [Awkwafina] And anyone makes, I mean, I've made really horrible birthday invites, you know what I mean? I think that makes it really easy. - [Awkwafina] Wow. Really cool. - [Kelsey Slay] Yes. And then you can still charge the client, like get your back and save the time.

Someone cheered really loud for that one. - [Kelsey Slay] I heard that like "Oh!" . - [Awkwafina] Yes. [Kelsey Slay] And honestly, between the technology and the spooky puns, like in the Halloween design, I was obsessed. [Awkwafina] Yes, and it can read the spookiness. [Kelsey Slay] It get an understanding of what's a spooky figure. [Awkwafina] Yes, that's cool. [Kelsey Slay] And I'm a big Halloween person, Awkwafina, I don't know about you. Yes, I love Halloween. [Kelsey Slay] Are you dressing up for anything this year? [Awkwafina] People keep asking me that. What is one supposed to dress as is the question.

[Kelsey Slay] I guess it's like your favorite character. - [Kelsey Slay] Something like that. - [Awkwafina] Yes, I feel like a taco or something.

If you do it as a couple because they're themed. [Kelsey Slay] Yes, you do it as a couple, or you could be something really scary. [Awkwafina] You could be like a part of four people, you know what I mean? [Kelsey Slay] Part of four people. I would love to see you dress up as a taco. [Awkwafina] I want to be a taco. Yes. [Kelsey Slay] Let's see what happens. Y'all want to see another Sneak? [Awkwafina] Yes. [Kelsey Slay] Yes. Awesome. So have you ever felt like animation was too hard for you to learn? Sneak number three just might be the tool for you. Please welcome Li-Yi Wei with Project In Motion.

[Li-Yi Wei] Thanks for the introduction. Do you like motion graphics? [Awkwafina] Yes. [Li-Yi Wei] My dad is an artist, and I want to create an exciting short animation to promote his workshop. I can do this easily with existing tools like Express, but what if I need more control for more complicated effects? Introducing Project In Motion, which consists of two parts, creating the cross motion followed by adding detailed colors and textures. Let's see how this works. Let's start with this shape and I want to add some interesting introductory fluidity effects. So I can click on this track and use this little guy on the left. So now it's propagating. Let's take a look at the result. So this fluid will be able to blend into any shape I specified. Now in the next part, I want to morph this picture into this letter. So I can go here and specify the letter and the picture as the two keyframes. And let's take a look at the results. You can see that the picture is gradually morphing into this letter.

If you like, you can have more control. Here we have this Path Tool that will allow me to draw some simple paths. So for example, I want this hole to move like this, and maybe this sharp tip of the pen will go like this. And maybe one more.

Let's apply the result.

So here will be the final morphing. That's fully under your control.

I can apply a similar technique to the other two letters A and T. And here will be the final result.

Now we have this overall motion, we can add some more details. This is the video I just created using the first part of Project In Motion. Now I want to create more effects. Here I can just describe what I want. So maybe let's start with watercolor. That's my father's favorite painting medium. And here is the result.

So it will follow the timing and the structure of the video on the left, and also show some watercolor effects.

Let's try another painting medium like oil paint.

Usually this result will take at least a few minutes to generate, but for the sake of the time, I have already pre-computed them for you. What if you don't want to use a text prompt? We can also use Reference image to specify the style we want. So this is the painting that my father did a few years ago. It's a watercolor of a street entrance. So for this one I don't even have to describe a prompt. I will just let the picture speak for itself. Let's generate the result.

So far, we have seen a 2D input that was created by the first part of Project In Motion. We can also try other kinds of input. For example, here is a 3D video sequence created with After Effects that contains the text of a scene. And for this one, let's try something interesting, maybe something like splashing colorful paint.

And here's the result.

[Kelsey Slay] Let's give it up for Li-Yi and Project In Motion.

That was absolutely amazing. - [Awkwafina] That's so cool. - [Kelsey Slay] I know. You could talk to it and stuff. That's cool.

The animation is great, yes. [Kelsey Slay] The animation is great. I actually remember the first time I opened After Effects, I just immediately closed it. I was like, I don't have the brain cells for this. [Awkwafina] No, I can't. To make things move, it's very difficult. [Kelsey Slay] Yes, it's absolutely insane. So to all the animators and motion designers, we have a creative crush on you, I would say that. [Awkwafina] Yes, thank you so much. Yes. In the animated form. I just know how to voice them. I don't know how to... That was... [Kelsey Slay] Do you get to see any behind the scenes when you're on those movies like of animation and stuff? [Awkwafina] Yes.

What do you mean? [Kelsey Slay] Like seeing the animators work. [Awkwafina] I don't think we're allowed to bother the animators, but, I mean, they work months, months, years in advance doing all that. I know it's very hard work. [Kelsey Slay] Yes. That's so awesome. I thought you would get more behind the scenes and get to talk to them, and hang out with them? [Awkwafina] Yes, they don't let us in the offices. But we'll do a talk here and there, it's very cool. [Kelsey Slay] Awesome. So let's go ahead. Y'all want to see Sneak number four? [Awkwafina] Yes. I just want to say this has been really thrilling. [Kelsey Slay] Yes. [Kelsey Slay] Yes, it's been thrilling. Let's give it up for the Sneaks. [Awkwafina] It's been fun. Very cool.

[Kelsey Slay] Awesome. So we all know that sound design is critical to storytelling and video. Sneak number 4 enables an easier workflow for this. Please welcome to the stage Justin Salamon with Project Super Sonic.

[Justin Salamon] Thank you, girls. Merci. What's up, MAX? It's great to be back at Sneaks. Really excited. And I'm working on this project, and I have a beautiful 4K footage of a forest. But there's no sound, and I want to bring it to life with sound. And normally, I'd have to search for the sounds, download them, import them to my project, drag them on to the timeline and all of that just to check if they even work for me. Wouldn't it be great if I could just generate sounds for my project right in the timeline? Well, with Project Super Sonic we can now do this. I'm going to go here and type in forest ambiance, and hit. Wait, I'm going to bring this. So let me do this again. Bring the cursor to the right place. Now let's do this. Forest ambiance, and I'm going to hit Generate. And now this is going to be calling our Text to Sound Effect GenAI model. That's going to be generating audio on the fly in full 48kHz sample rate. And it will, once it's finished generating, it's going to place it right in the timeline for me to audition alongside the video. And there we go. Let's have a listen. [Music] [Awkwafina] Sounds like a forest to me. [Justin Salamon] All right.

How easy was that? And now I feel like I'm in the forest. So in my next scene, I'm working, and I have this spaceship that's taking off from another part of the forest in front of a waterfall. I've already generated the sound of the waterfall. Let's check out what I have so far. [Music] [Justin Salamon] Now, of course, I want to add a sound for the spaceship, but I'm out of ideas. But no worries, because Project Super Sonic is also an inspiration machine. I can hit Subject Selection, and it is going to recognize...

Give it a couple seconds to do its thing.

Well, spaceship isn't coming up, but it recognizes the spaceship as my subject, so now I can hover over it. And when I click on the spaceship, it's going to write a prompt for me.

There we go. Check it out, we get a spaceship taking off from a forest planet. Sounds good to me. Let's give it a go. I'm going to hit Generate and let's see what we get.

And you can see that with this workflow, I can go straight from the objects in my video to sound effects in seconds.

Give it another second to do its magic.

There we go, we got our result. And not only do we get one result. [Music] [Justin Salamon] That's pretty spaceshippy. We get multiple variations to choose from. This sounds kind of dramatic. Let's crank up the volume and let's go to the top. Are we ready for our spaceship? Here we go. [Music] [Justin Salamon] Sweet.

We've got liftoff.

So my spaceship has taken off, and now it's going to land in an alien planet, right in the midst of a monster battle. And here we have a real problem, because check out this scene. We got the monster growling, and then it's going to growl again, and then this other monster is going to growl back at it and flaps its wings. There's a lot going on in this scene, and if I have to add the sound for each one of these moments, get the timing, the energy just right, that's going to be a lot of work. But sound designers, they often use their voice to sketch an idea of how they want things to sound. Wouldn't it be neat if I could use that workflow to drive my generation? Well, with Project Super Sonic this is not sci fi, we can do just that. Check this out. I am going to hit Record and I'm going to imitate the monster growls with my voice.

So the monster hits this little red button. Please, hush, hush everyone, because we're going to be recording. Here we go.

We got the growls down, now let's see what we get back. I'm going to type in monster growl and I'm going to hit Generate. And it's going to be using the precise timing, dynamics and energy of my voice to drive the generation. And so we'll give it a couple more seconds to do its magic.

The growls, there's a lot to take in there. [Kelsey Slay] Those were good growls. [Justin Salamon] There's a lot to take in there.

There we go. We got it. Let's crank up the volume, I want to see what we got. Are we ready, everyone? [Awkwafina] Yes. [Justin Salamon] Let's see what we got.

I mean, this is too much fun. So I feel like I'm on a roll, so let's just do one more. Let's add the wings flapping, the kind of the woosh sounds. So I'm going to hit Record Audio. And again, we're going to record. Here we go. Hush, hush everyone.

And I guess I'll type in whoosh.

Let's hit Generate. Now, it's going to be doing its magic.

And here we go. Let's check it out.

Not too bad. Let's go and listen to what we got from the top.

I love it, from a sketch to a fully generated sound design in seconds. So there you have it. That's Project Super Sonic. Elevate your videos with sound effects using GenAI right in the timeline. Thank you.

[Awkwafina] That was cool. It's cool. [Kelsey Slay] I think Justin deserves an extra round of applause for those dinosaur noises live. [Awkwafina] Those are really good.

Growls and flapping. [Kelsey Slay] Growls and flapping. It was like, literally, running, I don't know if you felt it, it shook the stage when we were up here. [Awkwafina] I mean, it's so cool. And I just had this thought, I don't know if anyone is interested, but I think that it's a really cool Sneaks to be a part of because we're integrating all this new technology of things and like even that. I was just thinking, you could build your own sound library, you know what I mean? Just by just doing whatever prompts. That's what I'm thinking, pretty cool. That's pretty cool.

[Kelsey Slay] And Awkwafina, I mean, you do a lot of stuff with your voice. [Awkwafina] I do. That would save me some work too, to be honest, if we could just have someone doing the screams or something like that. [Kelsey Slay] And I mean, I don't want to put you on the spot, but I mean, if you sounded like a dinosaur, what would you sound like? [Awkwafina] Oh, man. I probably sound like this.

[Kelsey Slay] It just wouldn't change. It would just be the same. [Awkwafina] I think I'll be the same. I think that I would be a fruit eating one.

I don't know, probably a land based. I think I'll be a land based. [Kelsey Slay] Yes, honestly, I think Super Sonic is just a useful tool, like you said I think that there's just so much room for the integration of that and just being able to add it into your workflow. I think finding sound like effects can be hard sometimes. [Awkwafina] Yes, it is very hard.

You're just recording yourself sometimes screaming. That's cool.

[Kelsey Slay] Do you want to see Sneak number five.

Yes, I can feel you, do you want to see Sneak number five? [Awkwafina] Yes, I'm ready for Sneak number five. [Kelsey Slay] We have this big screen down here with the announcement of the Sneak, do you want to announce it? [Awkwafina] Yes. Let's give it up for Veronica Peitong Chen with Project Hi-Fi. [Kelsey Slay] Veronica. What's up? [Veronica Peitong Chen] Guess what? We are halfway there. Recently, I'm working on the interior design project for a hotel client, and they sent me this image. Normally, I would take an image like this and do a lot of compositings in Photoshop. However, I want to be able to experiment with many ideas quickly and create beautiful visuals for the client. This is where Project Hi-Fi comes in. It is a Photoshop plug in that can quickly transform mockups and sketches into something high-fidelity and polished. Let's say I want to suggest adding windows to the room to really show off the beautiful ocean scene next to the hotel. So with a simple prompt, bright pink empty living room with large windows, it reads the composition and uses the power of Adobe Firefly to create this captivating rendition of the design.

I can give more specifications to the window by adding two shapes in my Photoshop layer, and as you can see, it generates in almost real-time. And unlike traditional generation, I now have complete control over every aspect of the composition. Stunning, right? Now let's take a look at how responsive it is using a second document. So suppose I want to suggest adding a plant to the room, that's native to the area. And in this document, I can just roughly paint within Photoshop to create my very own plant. So I can add a leaf on the top, maybe on the bottom. As you can see, I'm no Picasso, but hanging in there. And we can add in something in the middle just to give a little bit of something, something. And this is so nice because I can just paint with, say, color grey and the technology can figure it out for me. Using the slider, I can... Thank you.

Using the slider, I can also control how closely I want it to adhere to my content. So I'll turn it lower. It will take more liberty in the generation process. And let's give it a try. There you go. And turn it higher, it will look more similar to my ugly joy.

Awesome. Now that we have this plant, we can send it directly into our previous file. Let's go back over here and check out this Share button. In this Share button we can either export image or send it directly to Photoshop. As I'm about to click on this button, you do not want to blink your eyes because boom it's already in my Layers stack. How quick is that? Let's get it going. And we can use the Context Bar to quickly remove the background, and we can change the size, we can move it around maybe to the corner of the room. Let's give it a second and voila! We now magically transplanted our drawing into the room.

Project Hi-Fi can also work with your favorite Adobe apps. So using Illustrator, I created this couch and check it out. I can easily change the input source to a specific screen region and use the handle to capture the area. So let's give it a go, press Done. Maybe we can give it a new prompt, a bright orange couch with colorful cushions. And I know, don't judge me, there're never too many cushions on my couch. Let's give it a try. And just with simple vectors, we now have this couch rendered beautifully.

Now that we have this, we can go through the same process by sending the image back to our previous document. But just to save some time, I already have this prepared over here, so we can quickly change our input source back to Photoshop. Maybe rearrange the order a little bit, turning it on. let's give it a prompt. It's a bunch of things that we need to do, but hey, it's a live demo.

And boom, I'm loving this. And I got to say, the couch is starting to serve some main character energy over here. And if we're not happy with our placement, we can always change it. So you don't have to worry about the lighting. You don't have to worry about the shadow. You don't even have to worry about the adjustment. It will just figure it out for you. How cool is that? I got to say this, it's starting to looking very demure, very mindful, and we can add more things in, like this image cut out. It can be 3D objects as well, like this coffee table. And honestly, it can just be simple shapes. They all tie everything together.

Some of you might want to ask me, Veronica, you're standing over here instead of the actual podium. What's going on? Because we have one more thing to show you. So let's say instead of making composites, I feel more comfortable doing sketches. So Project Hi-Fi not only works with your digital design, it works with your camera feed as well. So here I have a sketch with me and let me quickly switch the input source to camera. And Awkwafina and Kelsey, why don't you guys come over and give it a try? - [Kelsey Slay] You want to try Awkwafina? - [Awkwafina] Yes. [Kelsey Slay] Yes, let's go try it, we get to try it. [Awkwafina] We're going to get sucked into a virtual universal. [Kelsey Slay] After you. [Awkwafina] This is cool. Veronica, nice to meet you. [Veronica Peitong Chen] So over here we have this sketch of an empty living room. We also prepared a bunch of fun furniture cutouts for you to steal freely and rearrange to create your very own living room. [Awkwafina] You can rearrange it on that? [Veronica Peitong Chen] Yes. So we have couch, we have plants, we have Ottoman. But some of the people in the backstage, they thought it's a pumpkin, but I don't know. [Awkwafina] Which one, this is... Yes, that looks like a tomato. That's cool. You want? Should we do it? [Kelsey Slay] Yes. - [Awkwafina] This is so fun. - [Kelsey Slay] You can do it. You got it? [Awkwafina] Yes, this is a very dangerous. This app is going to be very dangerous for my living room because I'm going to constantly be doing this. Well, the smaller couch here, does that make spatial sense.

But wait.

I like what you did, the fiddle thing. I don't know what I'm doing. Here we go. Do people keep all the plants? [Veronica Peitong Chen] Yes, closer to the couch and then we can see it. Here you go. [Kelsey Slay] You got it. [Awkwafina] People keep their plants all in the same area, right? [Veronica Peitong Chen] What I'm seeing right now is Akwafina is placing every single element we prepared for her and trying to fit it within one room. [Awkwafina] Yes. I don't have spatial reasoning. So I'm going to show up with that. That's cool, it looks like CBD or something.

I'm having so much fun with that actually. What are these? These are... [Veronica Peitong Chen] What do you think it is? [Awkwafina] It's like a lamp, right? [Veronica Peitong Chen] Perfect. Many people didn't get it, and many people thought it's a lollipop.

[Awkwafina] I'll put the table there. [Veronica Peitong Chen] Oh my God. [Awkwafina] I just want to see what it does. [Veronica Peitong Chen] It's actually not as bad as I thought it would be. [Awkwafina] What, did you think it was going to be worse? What's going on with the plants, by the way? [Veronica Peitong Chen] Generate, let's give it a try. [Kelsey Slay] I can't wait to see it. [Veronica Peitong Chen] Let's say you...

[Awkwafina] That's fire. The table's up there. [Veronica Peitong Chen] Exactly. It's fitting there. And Awkwafina I want to say let's say you want to stylize it a little bit differently. Like maybe we can do Bohemian, we can do industrial. And it's October we can also do a spooky Halloween. [Awkwafina] You would remodel your entire living room for a Halloween theme. That's really cool. [Veronica Peitong Chen] Let's give it a try. [Kelsey Slay] Spooky Halloween. [Awkwafina] That's so cool. [Veronica Peitong Chen] Spooky Halloween. This might be very spooky, but there you go.

[Awkwafina] Again, the plants look haunted like that, but that is so cool. [Veronica Peitong Chen] Thank you. [Awkwafina] Thank you, Veronica, that was awesome. [Veronica Peitong Chen] Thank you. [Kelsey Slay] Let's head back, you want to head back? [Awkwafina] Yes, let's head back. Thank you, that was really cool. [Veronica Peitong Chen] So as you can see, it truly simplifies my workflow. And my client is very happy with this high-fidelity result. And all the possibilities based on my own idea. And this is Project Hi-Fi. Thank you.

[Kelsey Slay] That was amazing. I love your new living room. [Awkwafina] It looks like it was like, that was really cool. I'm sorry about the placement of the lights. and the plants looked like they were haunted. [Kelsey Slay] You should be an interior designer. [Awkwafina] I've never been asked to design anything, so that was really cool. I've also never handled cut out stuff in a living room. That was really cool, I really like that. [Kelsey Slay] I love it. I can't wait to see you make that living room. That was awesome. Let's go ahead to Sneak number six. Our next Sneak is for people wanting more control when it comes to generating images. Let's give it up for Yu Shen with Project Scenic.

[Yu Shen] Thanks for the introduction and hello everyone. Nice to see you all here. I'm planning my birthday camping trip, so I created this invitation. Although this Firefly image looks great, there's only so much control I have. Yes, sure, I can move the image around like this, but if I want to change the angle for a more dramatic view or change the color of the tent or the number of the tent, would take so much work for a novice like me. Which is why I want to introduce you to Project Scenic. Project Scenic empowers me to exploit the fine grain, the easy control of 3D workflows for image generation, and so much more. To start, I can simply type in, a cozy campsite.

It will analyze the prompts, give me some related 3D objects, and then assemble them into a 3D scene within a few seconds. Let's wait for the result.

Yes, great. This is the campsite. It just generated this thing with one prompt.

And I can edit it further. I can move the position or change the camera perspective and change a little bit until you are satisfied. But that's only half of it because I can also type in, cozy campsite for image generation. It will consider both the image prompt and the 3D objects, positions, orientations, and, of course, the camera perspective and it will generate exactly the same view as we are seeing here. Yes, here it is.

Project Scenic even gave me a fast generation output for a quick workflow like this. But however, since it's not just me camping, I want to add some more tents for my five other friends that would be there, which might take a lot of work if I need to do it manually in 3D. Or I can just type it in, add five tents in a circle around the campfire. Let's make it a little bit challenging. So it needs to figure out how to meet my specific requirements dramatically. Let's wait for a little bit. Here it is.

Look at the result. It's just creating and repositioning 3D within one simple phase. But this is not enough. My dream campsite should be surrounded by plants. Let's say, add a forest. So this case is different from adding five tents because the forest is a much larger scale scene, like two magnitudes larger in our case. So it needs to figure out object types and amounts, as well as the properties for each of the objects. Let's look at the forest.

I'm already a little bit afraid of getting lost in the bigger forest.

It will take a lot to do it in 3D and Project Scenic just makes it so easy. Now we have the 3D scene ready, and I need to work on the camera perspective, which is a little bit hard for me, but I can also ask for help.

Let's say top view of the tents. So it need to figure out what's the target object and then propose a proper camera view to have the best view. This is the top view of the tents, which looks great, but let me try another one. For comparison, let's say, look at the campfire. Sometimes I just want to try different views to select the best one. Here it is.

This is what I like. And I can also tune it a little bit. For example, I can change the camera view a little bit or delete the objects that I don't like. And in addition I want this tent, I selected, to stand out. I can simply pick a color for it like this. Or I can type in a colorful shining tent and generate the image.

So this is our original prompt solution, which enables us to have a specific prompt for this specific object. While keeping the global prompt for the entire image, which allows us to make this specific object stand out from the crowd. And together with the previous features, Project Scenic empowers us to have more control on the overall layout on this specific region and the camera perspective. Here we have the final result.

I think I'm ready for the invitation, so I just need to download the image here and import to my Express project.

Let's wait. Let me upload again. Done. This is my dream campsite.

Would you like to join me? And we can also have other variations like the top view, near the lake, or even on top of the mountain with the clouds under your feet. You have full creative control by leveraging the power of 3D and Firefly with our Project Scenic. Thank you.

[Kelsey Slay] Amazing. Honestly, I hate camping. I hate sweating, but that invite made me want to go. [Awkwafina] Yes, and when it's not in the generated environment, it looks like Fyre Festival. [Kelsey Slay] Yes. [Awkwafina] That is a thought.

That's cool, yes, really cool. [Kelsey Slay] I feel like everyone has a very strong opinion about camping. You either love it or hate it, what do you think about it? [Awkwafina] It's camping and hiking for me are difficult things to understand. I don't know, what do you do when you camp? I don't know, lay down in a camp, I don't know. [Kelsey Slay] We are totally on the same page on that. I'm like, why do you guys want to go out and sweat? I just hate sweating. [Awkwafina] Yes, there's an owl there, I love owls, but you know. That's their environment, I don't know. [Kelsey Slay] I like air conditioning. [Awkwafina] Yes, like a yurd vibe. [Kelsey Slay] Well, that was such an amazing Sneak. [Awkwafina] That was really cool, yes. [Kelsey Slay] Seeing so much of this innovation, I mean, we've been through that was our sixth Sneak, it's just crazy to think that they create this technology. [Awkwafina] Yes, and I can see how it also is working in the technology. But then also the designer still has a voice there. So they are prompting, so it's interesting. [Kelsey Slay] Yes, they still have control. We love our researchers at Adobe, I'm such a fangirl of them. I think that they are the best. [Awkwafina] Yes, I'm a fangirl now too.

[Kelsey Slay] Where are my photo compositors in the room? [Awkwafina] Hello compositors. [Kelsey Slay] Come on, there's more of you. Where are my photo compositors in the room? That's what I love. [Awkwafina] Seems like they are in that area.

[Kelsey Slay] This next Sneak will have you seeing things in a whole new light. Please welcome to the stage, Mengwei Ren with Project Perfect Blend [Mengwei Ren] Hello, everyone. I can already sense the excitement in your screaming. So I guess everyone is enjoying the party tonight, right? Wow, very good. So get ready for more because holiday season is right around the corner. So I planned out this cozy winter scene for me and my boyfriend to take a holiday photo together. There's this one tiny little problem. He lives on the other side of the world right now, so it's just impossible for us to take a photo together. Well, how can I create that perfect moment that I imagined? I'm a researcher in Photoshop, so I create my own Photoshop magic. Let me present you Project Perfect Blend that makes compositing easy as a breeze.

Let's get started with a photo of my boyfriend. Why are you guys laughing? This is a sad story.

[Awkwafina] It is sad. [Mengwei Ren] I know, right? [Awkwafina] Where does the cat live? [Mengwei Ren] Okay, very easy. Let's remove the background.

Place him to the right location. Now we got a foreground layer and a background layer. Here pops up our magic button for tonight, our Harmonize button. When we click it, our harmonization model in the back end will help us to automatically adjust the lighting and color.

Don't be too excited.

Let's check out the before and after to see how our model automatically adjusts the color, the lighting, and even cast the shadow on the tabletop to make him look like he's really here.

Now my turn. I try to find a photo of myself that matches the cozy winter theme. But ever since moving to California, all I got was just a photo with lots of overexposure and a shadow on my face. So honestly, Remove background and Compositing doesn't work. It looks like a disaster. So let's not worry too much and click our Harmonize button one more time to see how our model handles the non-perfect shot, like this.

I look amazing, I know.

Let's check how, just in few seconds, we got a photo of the two of us sitting together in the cozy winter scene. I know, I know it's cute.

But I got more. No one forgets about the fluffy friend.

So this is a photo of my cat, and you know what's the deal. Remove background, Harmonize. Our model is not just for humans, it also generalizes to objects and animals.

Look at that relighting on my cat, and the shadow on the tabletop.

Amazing.

My boyfriend didn't know that yet, but I planned that I'm going to be staying with him for a longer time, so, you know, girls plan ahead. I just planned ahead for a tiny bit for the New Year's Eve, and for the Valentines next year.

Yes, I did that. And Thanksgiving next year, yes.

And all the way to 2096.

[Awkwafina] That was fire. [Mengwei Ren] Yes, we don't get old.

All right, all right, calm down, back to Miami.

[Kelsey Slay] I like her. [Mengwei Ren] When I'm not doing research, I take a lot of photos, so I just keep imagining myself carrying my favorite camera and then take a nice little walk here on the beach. I already like this. But we only get 60% because you see how complicated the surface of this beach is, and the overall lighting is a little bit confusing. So I wouldn't know how to create a simple shadow or a reflection. So let's not worry too much and click our Harmonize button to hand over the heavy lifting to our harmonization model.

Look at the before and after.

Before. After.

I really got the sunset vibe on me, and also a mixture of shadow and reflection on the beach. How amazing is that? Enough about me. I think it's also time to bring my other MAX Sneaks friends to the scene, so I want to keep this as a surprise. I will just use whatever photos I have for every one of them. This is a photo of Yu, which was our last presenter. You met him.

You see all these immersive projections are creating the green sparkles and the lighting artifacts on him. Let's try Remove background, switch out to our Miami sky and click Harmonize. Just give it a few seconds to see the magic happen.

Voilá! Let's check out the before and after. All the lighting artifacts get removed. And we also cast the Miami sunlight on him.

And next, I have a photo of Paul.

Everyone knows Paul, Paul is our stage producer this year. Okay, I think he's somewhere here. And he's a super cool person, we love him. And so is the lighting on him. You see the green and purple, everything. Let's try to Remove background and click Harmonize one more time to see what our model can handle for this kind of cases. Just a few seconds.

Look at that.

So let's check out the before and after to see how our model perfectly handled all the relighting while also preserving the facial identities and structures on him. Sorry Paul, didn't remove wrinkles.

I think I made too much jokes.

This is a photo of our next presenter, Shruti. Well, this doesn't show you anything because it's too dark and we barely see anything of her, so we don't really know what she looks like. Let's just do this thing one more time and let me uncover how she looks like in real life.

How delightful is that? No, wait, I should say relightful.

Before, after, one more time. With all that, I just secretly collected everyone's photo. You know, that's all I do. And I process them through my harmonization models. And with some additional help from my designer friends, we created this perfect poster.

We created this perfect poster to celebrate our time here at MAX 2024, in Miami style.

Don't forget where we started with a collection of photos taken with different cameras, under different lightings at different places with Project Perfect Blend, we turned this in moments into shared memories and relight your imaginations. Thank you.

[Kelsey Slay] I love how sassy she was up there. [Awkwafina] Yes, for a photo compositor, she has hashtag no filter, you know? That was just really cool though. Very cool blend. [Kelsey Slay] Paul somewhere crying right now. [Awkwafina] We love you, Paul, you look great in neither, in all of them. It's really cool. Yes. [Kelsey Slay] Between that and the fluffy friend that was everything. [Awkwafina] And I hope that eventually you guys can all be together. - [Kelsey Slay] Yes. - [Awkwafina] You know. [Kelsey Slay] Yes, I think you guys really wanted that one. I hope that this actually makes its way. Yes, y'all like Project Perfect Blend? We got to make it happen. We got to make it happen. [Awkwafina] Yes, definitely. [Kelsey Slay] I think we can just go ahead and move over to our next Sneak presenter. So in this era of AI, this next Sneak aims to bring more transparency around how content is made and who made it. Here to show you Project Know How is Shruti Agarwal.

[Shruti Agarwal] Hi, everyone! Have you ever found yourself scrolling online wondering where did this image come from? Is it AI generated or a deepfake? Or where can I find more images like this? And that's where we can use Content Credentials. For those who don't know what Content Credentials are, they are like a nutrition label for your digital content. Content Credentials, which are embedded as secure metadata into your images, are getting adopted increasingly, but still, it's not visible on every social media platform and content platform like this one. And that's where we can use the new Adobe Content Authenticity Chrome browser extension that uncovers Content Credentials even on web pages that don't show metadata today. Content Credentials get this durability by using a combination of metadata, invisible watermarking, and fingerprinting technology. So now I see that there is a CR pin on this artwork. That means Content Credentials are applied on it. If I really like this artwork, and if I want to know more about it, I can click on the CR pin and then click on the Inspect button. That will take me to the Content Authenticity Inspect web page, where we can see that this artwork actually is created by our favorite artist, Michael Fugoso using Adobe Illustrator. Isn't that cool? So this Chrome browser extension is available for public beta right now, and the Adobe Content Authenticity web app is going to be in public beta really soon, and we'll be able to sign our content with Content Credentials using this app. I'm really excited for that to happen.

Let's start our Sneak. What else can we imagine with Content Credentials? What if we want to know how our videos and physical art is created? With Project Know How, we are imagining this future for Content Credentials. Let me demonstrate with an example. So I found this video online that I really like, and I would love to license it for my work. And for this I'm looking for the original link for this video. With Project Know How's Video Fingerprinting Technology, I can get the information about the original video within seconds.

So this is because Content Credentials was applied on... Oops, it crashed. But it's good. I'll just start it again. [Kelsey Slay] Let's clap to the crash. Everyone take a drink. [Shruti Agarwal] This is because Content Credentials were applied to the original video. I can find the original Content Credentials where I have the link to the original video on Adobe Stock. This will help me license it all thanks to Content Credentials.

So let me demonstrate another example. My friend is looking for the original video for his vacation, and all he has got is this 8-second-long edited version. No worries. I'm glad that my friend applied Content Credentials to the original video. So just by using this 8-second clip - we will wait again - I can get to something, I can get to the 1 min 50sec-long video just by using this 8-second clip. Isn't that cool? So not only this, I can also analyze these two videos. I can see that my 8-second clip lies at the 38-second mark in the longer video, and also, I can see the difference between the two clips. So let me show. Highlighted on the bottom row is the difference between the two clips, where I see that one of the kids in the original video was removed in the query video. I wonder why that would be.

So even though this is a fun example, I can totally see this technology being used for more important applications like identifying deepfakes, or other digitally altered videos. Isn't that going to be useful in this era? Yes, totally. So now we have seen how Content Credentials can be applied on images and how they can be applied on videos. What about our physical world? Do you remember the artwork that I really liked from before? I have a poster for that artwork here and this is for my office. So I would love that anyone who's viewing this poster would have an easier way to find out that Michael Fugoso created it. What if they did? So with Project Know How, this is... I have this camera, live camera over here, and if an image pops up on the right-hand side, that means it has Content Credentials in it. So let's just try this out. Oh there you go. With Project Know How's invisible watermarking technology, we can detect Content Credentials even on images that are printed on physical objects. When we have...

Yes, that's super cool. So now, when we know the Content Credentials, we know the drill, we go to Inspect website where we can see that artist Michael Fugoso created it again.

Yes, that's super cool. And not only on this poster. I have a few objects here. So this mug that has a lot of radial distortion on it and a lot of reflection. Let's see if we can identify Content Credentials on this. Let me point my camera again. Just reminding that whenever the image shows up, that means that Content Credentials are detected in this image.

Yes, here we go. Again, we can go to the Inspect website and see...

Again, it is Michael Fugoso again.

And not only this. I have an image with Content Credentials on my tote bag with grainy texture and a lot of warping. Let's hope this one works. Oh, here you go. I can see that Content Credentials are still identified in this tote bag. It hasn't been easier to get credit for your work.

With these advances in Content Credentials and Project Know How, we aim to build transparency anywhere and on anything. So that we can decide what we trust, and we can get recognized for our work no matter where it goes. Thank you.

[Kelsey Slay] Amazing, let's give it up for Shruti one more time. [Awkwafina] Yes, love that.

[Kelsey Slay] I think she's a fan of Michael Fugoso for sure. But thank you so much, Shruti. I love how Content Credentials are making so many waves in this time and also just creating that transparency. [Awkwafina] Yes, I would say that in every industry we're going to need that kind of program, it was really cool. I can't wait for people to get caught in the deepfake cam, you know, like, it moves over, that's cool. [Kelsey Slay] Yes, that technology needs to be applied on Facebook. So your grandma doesn't believe the AI pictures.

Mine falls for that all the time. [Awkwafina] You have a lot of AI pictures of yourself? [Kelsey Slay] No, just like on Facebook. I've seen, like my grandma will just be like, oh, this is real. And she's like, look at this picture of the cat. And I'm like, that's AI, granny.

[Awkwafina] Love that. But okay, everyone, put down your drinks. Are you ready for our final Sneak? [Awkwafina] Yes. [Kelsey Slay] Awkwafina, are you ready? [Awkwafina] I'm ready, yes.

[Kelsey Slay] This is our final Sneak and it's going to turn this place upside down. Please welcome our final presenter, Zhiqin Chen, with Project Turntable.

[Zhiqin Chen] Thank you, Kelsey. Good evening, everyone.

I'm so excited to share this new tool, I have developed for Illustrator. Now I'm working on this scene, I have a shape of a dragon and a warrior. Now I want the warrior to fight the dragon. But I suddenly realized that the warrior is looking in the wrong direction. The warrior should be looking at the dragon, right? So I have to turn the warrior around to face the dragon. But you see, it's a 2D vector shape and I cannot just turn it around. Now, normally I have to redraw the entire shape, which is going to take a lot of time. But here, let me show you our new tool. I will just need to select the shape and click this Generate Views button.

And then I can just rotate the shape by simply dragging the slider.

Thank you, thank you, I love this audience.

That's it, that's how you do rotation.

[Awkwafina] That's good.

[Zhiqin Chen] Okay, now let's also turn the dragon. I will just select the dragon and click this button.

Let's wait for the progress bar to finish. Then I can just turn the dragon around like this.

That's it.

And keep in mind that all the shapes are still vectors, so I can still edit them after rotation.

Let me show you some more examples because our tool is quite powerful. Our tool can handle different artistic styles. For example, this basket of bread, and this fries guy.

Calm down, calm down, I'm not finished yet. We have seen a lot of horizontal rotations, so it shouldn't be a surprise that our tool can also do vertical rotations.

So you can really rotate your favorite vector art as if it is a 3D shape.

Here we go.

Now let's see what we can do with both horizontal and vertical rotation.

So here I have the same shapes from our first scene, but now I want to view the scene from a higher viewpoint. Let's see how we can do that. I'll first rotate this warrior like this, and then the dragon.

And it's done. It's as simple as that.

Now I will also add the warrior's horse. Notice that the horse has two legs because it's a side view, and also, it's easier to draw.

But after rotation our tool will give it four legs.

Now I will also add a few bats.

Now I think the shape of the bat is too simple and I want to add more details to the bat. And luckily, I don't have to edit all the bats one by one because all of them are rotated versions of the same original bat, which is this one. So to edit all of them, I just need to edit this one. Let's add a pair of horns and then I can simply click the Update Views button.

Now all the bats have horns.

And finally, with a nice background, my scene is complete. This is Project Turntable. Thank you.

[Kelsey Slay] I think they really want that one, too. [Awkwafina] I love that fries guy, too. [Kelsey Slay] Fries guy. Now that's how you slay the dragon and really end out Sneaks. I mean, what a closer. Let's hear it for Project Turntable one more time.

So, Awkwafina, did you have fun? [Awkwafina] I had so much fun, I'm blown away right now. I'm sorry, yes, that was really cool. Did you have fun? [Kelsey Slay] I had fun, I had a lot of fun. I really like being up here with you. We get to have fun, did you have a favorite at all? [Awkwafina] Oh, man, I was having a vision at the end where you combine all of them in that dragon scene with the fries guy, like the sound design and the perfect blend and all that. I honestly loved all of them, I can appreciate all of them. And I can really tell that you guys like the Turntable, because it probably saves a lot of work. Yes, that's cool, that's very cool. [Kelsey Slay] Yes, awesome. You talked about innovation and just like the people presenting, they just did such a great job. Let's hear it for them again, our presenters, they did an amazing job.

But I do have some news for you. I'm actually really excited to announce that our next Adobe MAX will be in Tokyo on February 13th. [Awkwafina] Valentine's Day almost. That's cool. Sorry, I know I not supposed to comment on this one. [Kelsey Slay] I got to announce this, Awkwafina. But as we close, I want to let everyone know that there is plenty of food outside. So as you leave, go grab a drink, a bite to eat, and make sure to come back at 8:30 for the Bash and DJ Ayree. But that's it for Adobe Sneaks. Thank you to all of our presenters and Awkwafina. Let's give it up for Awkwafina. [Awkwafina] Give it up for Kelsey. [Kelsey Slay] Big thank you to our audience. [Awkwafina] Bye, everyone.

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About the Session

Get a sneak peek into what’s brewing in Adobe Research. MAX Sneaks is where Adobe engineers give a first look at potential future technologies, which may or may not make it into upcoming versions of Adobe products.

Technical Level: General Audience

Category: Inspiration

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