Watercolour painting ideas.

Watercolour painting techniques.

In their most basic form, watercolours are pigment and water. The more water you use, the more translucent the colour and the less precise the brushstrokes. The two main techniques are wet-on-wet and wet-on-dry.

The wet-on-wet technique involves applying wet paint to paper that has already been moistened with clean water. This creates watercolour washes, soft blends that can capture the changing colours of the sky at sunset or the gentle gradient of an overcast day. If you find you’ve added too much water, dry the paintbrush and use it to soak up some of the excess water. Pressing a little harder with the brush, you can use this technique of picking up paint to create interesting patterns and textures.

Wet-on-dry describes the painting of the pigment mixed with water on dry paper. This technique allows for sharper lines, more distinct edges and greater control of your brushstrokes. To create layers of paint, just start with lighter paint, wait for it to dry and then add the darker layer. Just remember that, once the paint on the paper is wet again, it may blend with the new paint and become muddy. 

Start with easy watercolour painting ideas.

Almost any subject matter can help you to improve your painting skills and grow more familiar with your tools, so you should choose the subjects that interest you most. Here are a few good ideas for your next watercolour project. 

Still life

Drawing and painting classes often begin with still life for a good reason. “You can set it up, look at it from life and paint from that. That’s probably where you’re going to learn the most,” says artist and teacher Eric Wiegardt. Try your hand at a vase of flowers or make quick watercolour art out of your breakfast. Focus on shape and shading instead of definition and remember to leave space unpainted for highlights.

Flowers and plants

Watercolour flowers can be especially beautiful because the transparency of the paint can capture the bright bloom of the petals and leaves glowing in the sunshine. You can start with a single rose, beginning in the centre and using more pigment for the inner petals. Work your way out in broken spiral, using more water in bigger strokes for the outer petals. When you’re painting leaves, don’t worry too much about accuracy. Make decisive strokes and let the flow of the paint determine the shape of the leaves.

Simple landscapes

Forests, fields and mountains are beautiful subjects to paint with watercolours. To paint a field of wildflowers or mountains under a blue sky, start with a blue wash for the sky. Let it dry before adding the land. To create a distant mountain range, allow each layer to dry before adding the next as you move into the foreground. If you’re painting a wintry watercolour landscape, splatter some white paint to create snowflakes of different sizes and distribution. Splatter can also create starry night skies. In general, be bold with your brushstrokes. “It’s better just to charge forward,” says Wiegardt. “Watercolour is not a medium that lends itself well to overcorrecting.”

Buildings

Practice your watercolour technique with houses, barns or other structures. “I would start with subject matter that has easily definable big shapes and patterns,” Wiegardt advises. “Buildings are often nothing more than just large cubes, so if you understand how a three-dimensional cube is made, then you’re halfway to painting a house.” Pay attention to the subtle variations in color of a building’s facade and roof and the way shadows fall on windows, doors and eaves. 

City scenes

If you use digital watercolours on a tablet, you can easily paint outdoors in your neighborhood. Artist Josefina Fernandez recommends going out in the world and trying to capture a piece of the city in ten minutes. “In that time you’re going to paint the most important details.”

Marine scenes

As you get more comfortable with your paints and how they work, try to capture an ocean or lake scene. With water paintings, as with any landscape, you can paint on location and translate exactly what you see onto your watercolour paper. If you paint inside, look at reference photos to remind you what you saw when you were outdoors, but don’t try to paint the photo. “The natural laws out in the world are totally different from those of composition, of what light does on the different planes in a landscape,” says Wiegardt.

General tips for watercolour success.

When mixing colours, try not to overmix. Too much pigment will take the translucence out of the painting. Watch especially that your darks aren’t too dark. “Pay attention to value shifts — the relationship between the lights and darks — and not so much to colour shifts,” Wiegardt says.

If you’re painting with digital watercolours, you don’t have to worry about the materials. Digital painting allows you to erase a stroke you’re unhappy with, and you can work faster. With physical paint and paper, unless you’re using wet-on-wet technique, you have to wait for one colour to dry before adding a different colour. “When you don’t wait in real life, if the colours are touching, it turns muddy,” says Fernandez. “But with digital you can create a new layer so those watercolours will never blend.”