Thinking small for a big impact with macro photography.

In macro photography, the world you know is gone and a new one emerges.

“A really great place to start is to work your way through the refrigerator,” Long suggests. “Berries are fascinating when you get in really close. There are really cool textures — they’ve got hair on them. I shot a cornflake at some ridiculous level of magnification and it looked like either a really gross piece of meat or the surface of Mar.s.”

As with all photography, exploration is what fuels your ability to understand what you are looking for in your photos. The more you delve into this new, mysterious world, the more you’ll know what you want to document.

What makes good macro photography?

“What makes a great macro image is the same thing that makes any great photograph great,” Long explains. “It’s always the job of the photographer to ensure that they’ve organised the frame and used all of the expressive mechanisms they have — like depth of field, motion stopping power and the control of light and shadow — so that the viewer immediately knows what the subject of the image is.” 

“I think the hardest thing about macro photography is actually previsualisation — learning to recognise what a good macro subject might be.”

But when you’re having to adjust your perspective so significantly, where you find the right subjects and angles can be a real challenge.

“I think the hardest thing about macro photography is actually previsualisation — learning to recognise what a good macro subject might be,” says Long. “Because when you’re going into macro distances, things just look completely different than what you see in the real world. You might be sitting in front of a great macro subject and have no idea.”

As your eye develops for macro subjects (“You just have to do a lot of macro shooting before you start to get a sense of what’s going to make good subject matter, where the best angle might be,” Long says), you’ll begin to see certain difficulties that arise with this specialised skill. 

Macro photography tips.

First things first, before any macro photography advice will be useful, you’ll need a macro lens. While most lenses shoot at a ratio of 1:2.8 and greater, macro lenses shoot at a 1:1 ratio and can focus only within the macro range of about 12 inches or fewer — essential for the super-sharp focus needed to make the minuscule larger than life.

With that purchase made, here are some things to think about as you begin to shoot at a macro level:

Quick note: If you want to experiment before investing in a dedicated macro lens with a focal length better suited to the style, you can get a reversing ring for a fraction of the cost. This allows you to mount a regular lens backward on your camera to create a macro effect.

1. Keep your eye on the details.

As you move closer to any object, the fine details and tiny imperfections that are invisible from a distance become clear. When you’re magnifying as much as you will in macro photography, you may be looking at stray hairs that appear as big as pool noodles. 

Long explains. “You’ve got to clean like crazy. And if it’s something fragile, you can’t just get a can of compressed air and blow it. You’ve got to get in with tweezers and little brushes to try to clean everything off.”

2. Plan what you want to capture.

“Macro photography is dependant on the photographer and what it is that they want to enlarge for people to see,” photographer Stephen Klise says.

Working with smaller subjects means your depth of field shrinks, making it very important to go into macro shoots with a plan for what photos you want to get. “When you’re working with macro photography, you have such a narrow plane of focus that little adjustments will throw the whole thing right off,” Klise says. “It takes a lot of time and a lot of careful planning.”